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Rode NT1000 Studio Condenser Microphone

  • Rode NT1000 Studio Condenser Microphone
RRP:
£232.50
Your Price:
£219.00 (inc Tax) £182.50 (exc Tax) (You save £50.00)
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Product Description

With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the RØDE NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for 'application versatility', the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response.


Acoustic Principle Pressure Gradient
Active Electronics Unity-gain closed-loop impedance converter; JFET input with bipolar buffering
Capsule 1.00"
Polar Pattern Cardioid
Address Type Side
Frequency Range 20Hz - 20kHz
Output Impedance 100Ω
Maximum SPL 140dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level 13.0dBu (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -36.0dB re 1 Volt/Pascal (16.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Power Options +48V phantom power+24V phantom power
Weight 682.00gm
Dimensions 209.00mmH x 54.00mmW x 54.00mmD
Output XLR Output

Product Videos

Un sueno en la Floresta - Milan Dimitrijevic (06:09)
Floresta - A. BarriosMilan Dimitrijevic plays Un sueno en la Floresta by A.Barrios Mangore.Agustín Pío Barrios (also known as Agustín Barrios Mangoré) (born May 5, 1885 in San Juan Bautista de las Missiones, Paraguay; died August 7, 1944) was a Paraguayan guitarist and composer.After receiving his training from Gustavo Sosa Escalada, Barrios left Paraguay for one week of concerts in Argentina. He was so successful that he toured for 14 years. In 1934 he went to Europe to perform, becoming the first Latin-American guitarist of stature to do so. His performances have been compared to Segovia for their interpretation and to Paganini for their virtuosity. Barrios composed over 100 works, many of which he attributed to obscure early composers in the hope that this would allow them to be regarded seriously. Some of his pieces are now in the repertory (=Danza paraguaya= and =El catedral=) and many more would be, if not for his carelessness in publishing them. He was the first classical guitarist to make a gramophone recordingThis "dream in the forest" melds Barrios' interest in Paraguayan scenery and culture with his reverence of Chopin. A brief introduction redolent of nineteenth century salon music in Chopin style ushers in a long-lined, highly romantic melody entirely in tremolo over an accompaniment in the lower strings. Tremolo gives way to the guitar version of a portamento in the next section, as a variant of the melody is presented with stinging downslides on certain notes. The tremolo study returns after this, now with a somewhat more active accompaniment, and carries the piece to its tender, sentimental conclusion.
  • Un sueno en la...
    Floresta - A. BarriosMilan Dimitrijevic plays Un sueno en la F...

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