Launched in 2004, the AWS (Analogue Workstation System) reinvented the professional production console by combining classic SSL SuperAnalogue™ console technology with comprehensive DAW control hardware in a single work surface. Over 550 consoles later the AWS is now used by leading international recording artists, producers and engineers and has shaped expectations for session workflow within today’s and indeed tomorrows’ production environments.
Designed for mid scale commercial recording and production facilities, the AWS is available in 24 input (AWS 924) or 48 input (AWS 948) variants within a compact 24 fader frame. Both models deliver pristine SuperAnalogue™ mixing, 24 ultra-clean SSL SuperAnalogue mic pre’s, classic SSL dual curve EQ on every channel, two assignable SSL Dynamics, legendary Stereo Buss Compressor, TotalRecall™ and full 5.1 monitoring. In addition to on board classic SSL Automation, both models also feature the revolutionary new A-FADA mode where motorised analogue faders follow DAW Automation data.
AWS 924 & 948 also feature Ethernet connectivity for streamlined hardware control over your entire Digital Audio Workstation environment. AWS delivers elegant, ergonomic physical control over your entire studio environment with dedicated heavy duty DAW transport, V-Pot multifunction encoders with position indicating LED’s, Digital Scribble Strips, DAW fader mode, global and channel routing control and built-in TFT display for advanced plug-in editing. Project Session Management is kept simple through SSL’s proprietary Logictivity interface.
The AWS is an SSL SuperAnalogue™ console, featuring the audio performance specifications that have established the benchmarks by which other manufacturers are measured. Exceptionally low THD, noise floor & crosstalk levels keep your audio absolutely pristine, while our legendary headroom carries every nuance of your audio and allows engineers to mix ‘hotter’ without distortion.
AWS 948 Channel
The AWS 948 maintains the same 24 fader footprint as the AWS 924 (and classic AWS 900) and achieves its 48 input count via a unique Dual Path Channel Strip design where each channel has a single Mic Amp and two line level inputs, a new Stereo EQ and Stereo Insert. This new channel enables three different operating modes: STEREO MIX, IN LINE MIX and IN LINE TRACKING. These differing modes offer a wealth of workflow options that enhance today’s versatile production environments;
IN-LINE TRACKING is similar to the AWS 924 with either the MIC or the LINE signal providing the CHOP and Track Bus source. Normally this primary signal is level controlled by the V-Pot. However through “fader flip” it is possible to use the large fader instead. In this setup the secondary signal (DAW output/Monitor Return or the even the CH OP) goes to the Large fader. AUTO-M takes control of the RETURN switch to provide automatic monitor source switching between the channel paths, following the DAW transport status. The monitor path is heard in Play, and the input path is heard in Record or Stop. S-CUE employs automatic cue send source switching between the channel paths, following the DAW transport status, to provide full zero latency drop-in and record monitoring, a sum of both paths is heard in Play and only the input is heard when in Record or Stop.
IN-LINE MIX provides identical operation to the AWS 924 channel strip with the exception that a second signal path is available as a Mix input in classic ‘In Line’ console fashion. In this mode the Channel V-Pot acts as the second input gain control (along with the associated SOLO/CUT switches). Furthermore the V-Pots level and mute status can be automated. This allows all 48 channel signal paths level and cut automation in the analogue domain. Note that it is also possible to move the Insert into the secondary path (ideal for X-Rack processing etc).
Channel configuration and Setup is accomplished via the AWS 948 onboard TFT screen and soft keys, and it is even possible to move or divide the channels processing resources (EQ, Insert etc.) between each of the dual paths.
Routing & Sends
Digital Scribble Strips
Stereo Bus Compressor
Monitoring & Metering
There is a dedicated Stereo VU meter for the MIX, REC, Monitor and Solo busses, a VU Phase meter, 5.1 monitor metering, 8 individual Track Bus meters and all Cue and FX send level indication. Each channel sports a dual 12-segment meter which allows DAW Stereo track monitoring. Other features in the AWS include AUTOCUE functionality, MONITOR VOLUME POT CALIBRATION, SOLO ISOLATE, the ability to control two DAW’s simultaneously, and the addition of SOFT BOOT power cycling. Above all, latency free punch in record monitoring is standard, this is analogue!
Summing Bus Injects for the CUE and FX busses
Unrivalled DAW control
While the AWS offers a powerful large format analogue console feature set within a compact console design, it also goes further than any other analogue console by integrating seamlessly into a DAW-based facility by incorporating hands-on control of important recording, routing, mixing, and editing functions in all major DAW applications including Pro Tools™, Logic Audio™, Nuendo™, Sonar™ and many others.
DAW Mixer & Environment Control
Users can assign DAW channel levels, send levels and routing functions to individual channel rotary encoders with rotary LED level display. Channel and Send levels can be ‘flipped’ on to the main channel fader. Five vertical buttons (the Window Select Keys) allow for quick access to the most commonly used DAW windows such as the edit/arrange window or the DAW mixer window. The four uppermost buttons duplicate commonly used keyboard functions on a standard computer keyboard, including ESCAPE, UNDO, SAVE and ENTER. The lower four buttons shadow the keyboard modifier keys. In combination these buttons can remove the need for a keyboard and mouse for almost all tasks. The DAW control panel includes a Master Rotary Encoder, together with six function keys and a 2-digit display.
DAW Transport Control
Logictivity Browser Software - The AWS Remote